Una guía visual · LA & Cuban styles
Salsa,
step by step.
Thirty-two moves, drawn foot by foot. Beginner basics to advanced Rueda patterns — every step shows you exactly where the foot lands.
quick-quick-slow · 1·2·3 — 5·6·7
Read the diagrams
L = left foot · R = right footCross in front Pivot turn
Tap (no weight)
Dashed feet show the previous position. Solid feet are where weight lands. Salsa pauses on counts 4 and 8 — no step.
The foot diagrams show where to step. These eight rules govern how you step — the invisible layer that separates beginners from dancers.
Weight on the ball
Heels stay light, never planted. Pivots, turns, and quick weight changes only work when your weight rides the ball of the foot.
Cuban motion
As you step, straighten the knee of the standing leg. The hip on that side lifts on its own — that is real Cuban motion, not a shake.
Hips follow knees
Never force the hips. Bend one knee, straighten the other, and the pelvis tilts naturally. Hip motion is a result, never a cause.
Compact frame
Elbows down and forward of the ribs, shoulders relaxed, core lightly engaged. The frame is the wire the lead travels through.
Counterbalance
Leaders settle slightly back in turns to give the follower a post. Followers stay vertical, stacked over the spinning foot — no leaning.
Spot your turns
Lock your eyes on a point — usually partner — and whip the head around last. Eliminates dizziness and keeps multi-spins clean.
Settle on 3 and 7
Counts 3 and 7 are the 'slow'. Transfer full weight, breathe, then explode into the next bar. This pause is what makes salsa feel like salsa.
Quiet upper body
Chest and shoulders stay calm so your partner can read the lead. All the styling — shines, body rolls, isolations — lives below the ribs.
Beginner
12 movesIntermediate
12 movesAdvanced
8 movesA realistic path from first basic to performance floor. Hours are rough — consistency beats binge practice every time.
- 01
Find the beat
~10 hHear the '1' in any salsa song without thinking.
- Clap the clave (3-2 and 2-3) along to ten different tracks.
- Tap the conga tumbao — slap on 2, open tones on 4-and.
- Walk basic in place to a song you have never heard before.
- 02
Own the basic
~30 hForward, back, side basic on time, eyes up, breathing.
- Five full minutes of basic without losing the 1.
- Slow song (160 bpm) → fast song (200 bpm), same step.
- Mirror practice: shoulders still, weight changes only.
- 03
Lead & follow
~60 hConnect through the frame; stop staring at the feet.
- Closed-position basic with eyes closed (follower).
- Lead a cross-body with finger-tip pressure only.
- Switch partners every two songs at social practice.
- 04
Turn library
~120 hClean inside / outside turns and CBL combinations.
- 20 right turns each side, spotting every rep.
- Cross-body lead with inside turn, no telegraphing.
- Hammerlock → enchufla → exit, drilled until automatic.
- 05
Musicality
~250 hHit breaks, match song sections, improvise styling.
- Listen 10 min daily — name the instrument carrying the melody.
- Freeze on every horn break for one full song.
- Choose one shine and place it on the montuno section.
- 06
Performance polish
500 h +Lines, timing, multi-spins, choreography work.
- Triple and quadruple spins from a prepped CBL.
- Film yourself weekly; fix one thing per session.
- Take a performance team audition or social showcase.
Daily 40-minute routine
Show up every day
The single biggest accelerator. Forty focused minutes daily beats a three-hour weekend session every time.
Block 1
5 min
Warm-up: ankles, knees, hips, shoulders
Block 2
10 min
Basic step to three different tempos
Block 3
15 min
Turn drills — right, left, CBL with turn
Block 4
10 min
Freestyle to a full song, no stopping